The author is an art critic based in Lahore
Artists and their self-portraits through the ages
Can a layman tweak the artwork he owns?
‘After’ symbolises the past, not the future
Geometry is not just about reducing nature into shapes, it also translates the essence of tangible into the domain of the abstract
Many shades and dimensions of colours
The debate on imitation and art spills over into virtual world in times of coronavirus pandemic.
He founded the Department of Visual Islamic and Traditional Arts at the Royal College of Art in 1984
Does singularity of size suffice as a common theme for a series of exhibitions at venues as far removed as Islamabad, Karachi and Lahore?
Following his recent death the artist’s autobiography reads like a self-written obituary
The artworks by Sanie Bokhari and Saba Zahid, produced independently and in diverse mediums, are connected through content: the state of women in a...
Sabir Nazar’s latest artwork, without any pretentious claims of connecting to the soil, is a more faithful representation of our land than some...
What would happen to the art world if coronavirus is not controlled? Will the art market go electronic?
At her latest show in Lahore, Maryam Arslan skilfully translates the colour and texture of her favourite items into pictures
In his latest exhibition in Lahore, Afshar Malik opens a new door to reality through which each of us can enter
Sabina Gillani’s latest exhibition explores the duality of violence and beauty
Ayesha Quraishi’s sensitive marks, basic shapes and subtle textures transfer the viewer to another realm
Hamra Abbas combines the language of contemporary art with the fundamental of religious iconography
This year, LB communicates strong political content through its selection of artists, who are dismantling popular narratives about politics, gender...
Bevan Petman’s contribution to Pakistani art lives on decades after his death
Bani Abidi’s survey exhibit inhibits her unique storytelling and methods of deconstructing mainstream narratives