We love the final product, but which one element controls how good a film or TV show is? Instep speaks to director Nadeem Baig and actors Mehwish...
Picking up from where Wes Craven left off, Scream’s fifth instalment is self-referential, a little sardonic, and not for you if you have kids.
Fashion is political, with extensive impact and implication of its times, and vice versa. Instep explores the many subtexts of style and fashion...
Written and directed by one of National Academy of Performing Arts’ youngest graduates, Namukammal just wrapped up a 5-day encore, reminding us...
Like so many businesses, Pardesy’s felt the impact of COVID-19.
Her warmth radiates through the door and across the room as she greets yet another journalist ready to interview her. Sania Saeed is like the sun;...
Dance those Monday blues away with the best, peppiest tunes we have ever heard in Pakistani cinema.
Zahid Ahmed achieves more and more of his life’s passion and calling each day, but the success only makes him look inward, and higher.
Ghabrana Nahi Hai is mostly good; Parda utha lein, please.
He’s been on our screens and radars for almost decades, but Syed Jibran has finally broken through to the other side of stardom.
