he Glassworker marks a promising new chapter for Pakistani cinema this summer, bringing meticulous hand drawn animation to the forefront. Traditional animation, where each frame is a testament to patient artistry will stand out in an age dominated by instant digital effects.

Japanese legendary animator Hayao Miyazaki, co-founder of Studio Ghibli and director of films such as Spirited Away, My Neighbor Totoro, Princess Mononoke, and Howl’s Moving Castle, has long inspired Usman Riaz. While Hollywood has produced hand-drawn classics like The Lion King (1994), Aladdin (1992), Dumbo (1941), and Beauty and the Beast (1991), computer animation now reigns supreme.

However, while films like The Minions, Inside Out, Up, and The Lego Movie are masterfully crafted in both technique and storytelling, the essence of traditional animation is no longer present.

This is where Usman Riaz and his team at Mano Animation Studio shine. The Glassworker recently played to sold-out audiences at the French Film Festival. The acclaimed Pakistani film made a significant impact when screened at the Annecy International Film Festival in France, showcasing the remarkable talent of Pakistani artists on a global stage. Director Usman Riaz, producer Khizar Riaz, and art director Mariam Paracha received enthusiastic applause during their appearance at the festival.

The Glassworker has already captured global attention, having been featured in special screen-ings at multiple international platforms, receiving standing ovations each time. The film, scheduled for release on July 26th under the banner of Geo Films and Mandviwala Entertainment, is backed by Geo Films, renowned for its legacy of producing distinguished and iconic films. Titles like Khuda Kay Liye, Bol, Moor, Manto, Laal Kabootar, and the highly successful The Legend of Maula Jatt, have created a lasting impression on both the audience and critics across the nation and beyond.

Adding to this legacy, Usman Riaz and his team are poised to add another celebrated title to the illustrious list, marking a new chapter in Pakistan’s cinematic history. The anticipation is palpable as audiences eagerly await the film’s release, hoping to experience the magic of hand-drawn animation brought to life by a collaborative effort between Pakistani artists primarily and several international artists who have come on board as the film developed.

The success of The Glass-worker not only underscores the artistic prowess of its creators but also sets a new benchmark for the animation industry in Pakistan. It stands as a testament to the dedication and passion of those involved and is a promising start to inspire a new generation of artists and filmmakers in the country. With its strong characters, who grow up over the years, surrounded by the lived experience of war, The Glassworker promises to be a visually stunning and emot-ionally resonant experience for audiences of all ages. Don’t miss the chance to witness this landmark achievement and discover the magic of hand-drawn animation brought to life by a strong Pakistani team led by Usman, along with a global team that has collaborated with the studio.

The Glassworker is the first film to be released from Mano Animation Studio, but it will not be the last. That’s what makes it so precious.