all structures usually represent power but they also bring worries about possible dangers. While they may seem sturdy, there’s a genuine fear of them collapsing. Similarly, tall people often hold influential positions, and big trees provide beauty and shade. But, even mountains, despite their grand appearance, can be scary during volcanic eruptions or earthquakes. Despite the risks, powerful things can be both solid and sometimes exceptional.

This is evident in the landscape of New York City, characterised by towering buildings and congested streets filled with residents from diverse backgrounds. This dynamic prompts contemplation of the “empire state of mind” and whether dreams truly materialise in New York. Unlike the song I never liked, the city showcases man-made tourist attractions but can be crowded and overpriced. Its adaptable fabric is reminiscent of Karachi, a cosmopolitan city where people of many castes and religions coexist.

It’s interesting to observe how the dynamics of people from small towns seeking opportunities in larger cities can be a common theme. The comparison between Karachi and New York highlights a significant difference in scale and global appeal. Being a global hub, New York attracts people from all over the world, offering opportunities in various aspects of life. On the other hand, Karachi plays a central role in the Sindh region, drawing individuals from the surrounding areas to settle there. This influx may lead to challenges such as resource exhaustion and strain on the local population. The contrast in the scale of global versus regional influence is a notable aspect of urban development and migration trends.

While old residents of both cities don’t appreciate recent migrants to the area, the city embraces them with arms wide open. This has led to its accumulation diverse cuisines and a combination of various cultures.

In the realm of architecture, Karachi, despite the absence of towering skyscrapers and panoramic views, captivates with its unique charm.

The streets, adorned with designer shops along Zamzama, Tariq Road and Clifton, contribute to a distinctive urban tapestry.

While lacking in grandiosity, these locales, including bustling malls, serve as vibrant hubs offering a diverse array of culinary delights at any time. Karachi’s temperature, while not extreme, adds its touch to the city’s character. The streets, akin to the unpredictability of New York, hold their own surprises.

Overflowing gutters and potholed roads, coupled with a driving style reminiscent of rage against the machine, create a shared experience with the dynamic streets of New York. These seemingly ordinary elements are nostalgic reminders for anyone away from their hometown.

Amidst the urban chaos, Karachi unveils parks and landmarks that elevate its allure. Take, for instance, Frere Hall, a picturesque oasis within the cityscape. Its historical significance and architectural beauty make it a favoured spot for photography and gatherings, attracting both locals and tourists.

We get to see ample urban living, but we don’t see the security and freedom of walking alone on the streets, non-judgmental living, more museums and safe public transport.

Karachi’s architecture transforms mundane elements into a mosaic that mirrors the city’s pulse. From the lively designer streets to the unexpected quirks reminiscent of New York’s urban energy, the city offers a captivating experience for residents and visitors alike. It is in these subtleties that Karachi’s architectural charm truly comes to life.

Despite complaints about a lack of cultural activities, Karachiites can attest to pottery classes, painting, art therapy, walk-in yoga, and dance classes. Street culture involves serious night cricket matches and lively gatherings during events like Eid.

Just as New York’s main streets are immune to dirt and potholes, Karachi’s streets share a resemblance, showcasing a unique charm. As one traverses through New York, it’s not uncommon to find streets mirroring those of Karachi, with similar names, products and locals who may generously offer free items if you speak their language or tell them you are from their hometown. Despite the urban setting, the hospitality remains remarkable, creating a sense of familiarity in both cities.

The best thing about this place is that you find all ethnicities under one roof. While I had my cup of coffee in a café inside the library, I enjoyed the conversation of two students sitting right next to me about coffee culture back home in Karachi. Hence, even in a place far from the maddening crowd of NY, you hear the sounds of Karachi.

In my first year of residing in the United States, New York has become my go-to place when I feel homesick for Karachi. Despite its superior infrastructure which is quite unlike my hometown, the bustling streets of New York, filled with people driving with no apparent sense of direction and a city that is always vibrant and alive, make it oddly reminiscent of Karachi.

Contrary to popular opinion, New York bears many similarities to Karachi. If you delve deeper, you’ll discover an area in Brooklyn known as Mini Pakistan, resembling streets from Saddar with typical markets and Pakistani cuisine. It’s a testament to the city’s diversity, providing a touch of home even in a foreign land. Having been brought up in Karachi, I have realised that it is hard to be amused by something when you travel unless it is super astounding or culturally exclusive.

We get to see ample urban living, but we don’t see the security and freedom of walking alone on the streets, non-judgmental living, more museums and safe public transport. The most delightful aspect of travelling far is encountering fellow Pakistanis, often referred to as desi, and sharing smiles as if meeting acquaintances. In such instances, people may go out of their way to engage in a conversation and offer assistance, all due to a sense of shared connections. This experience beautifully highlights the ability to find connections and celebrate the richness of one’s cultural identity even when residing far from one’s hometown.

The author is a US based doctor and a freelance writer