A college stage play challenges preconceived notions and stereotypes about Tipu Sultan
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ipu Sultan, also known as the Tiger of Mysore, was an important ruler in south India during the late 18th Century. His determination and his efforts to modernise his kingdom are still being be studied and appreciated. He is remembered as a significant figure in Indian history.
A two-hour play was recently staged at the Government College University, Lahore, to highlight the multi-faceted legacy of Tipu Sultan.
On the one hand, Shair-i-Mysore allowed the audience to learn many facts about Tipu Sultan’s life, reign times, showing the complexities of his character, his strategic brilliance and his relentless pursuit of independence; on the other, it showcased the cultural traditions, customs and values of his people. The set design and the enchanting music made the immersive experience unforgettable.
Shair-i-Mysore weaved together vibrant threads of language, music and art. The skillful employment of fourth wall breaks added depth to the storytelling. It convinced the audience of the profundity of the ethos that shaped Tipu Sultan’s visionary aspirations. Most of them left with an enhanced understanding of his impact on Indian history.
Through its powerful storytelling and exceptional performances, the play not only entertained but also challenged some preconceived notions and stereotypes about Tipu Sultan. It encouraged one to form a more nuanced perspective of his legacy and left one with an urge to explore the subject further.
Shair-i-Mysore was more than just a theatrical production. It started conversations and allowed many in the audience to forge a personal connection with the historical figures represented on stage. It left a lasting impression.
Shair-i-Mysore went beyond being just a theatrical production. It served to ignite conversations and forge a personal connection between the audience and the historical figures depicted on stage. It left a lasting impression.
One was grateful in the end for the opportunity to witness such a remarkable production. It expanded one’s understanding of history and the contributions of some very remarkable historical figures.
Shair-i-Mysore was a testament to the power of theatre to enlighten, inspire and transform.
In a conversation after the play, Sameer Ahmed, the mastermind behind the remarkable production, talked about the evolution of a democratic system and modern institutions in contemporary Britain and contrasted it with the autocratic rule in the Indian subcontinent.
Ahmed said the political landscape in India those days lacked the strength needed to prevail against a democracy. He said the absence of such institutions limited the extent to which individuals like Tipu Sultan could be effective.
Ahmed blamed what he called a ‘colonial mentality’ for favouring the performance of European plays, particularly those by Shakespeare. He said he was passionate about original plays.
Ahmed said production of more original works could enable the playwrights to highlight new narratives and explore some underrepresented perspective. This, he said, could shed light on diverse cultures, experiences and histories and foster a more inclusive and equitable artistic landscape.
The writer is a Google-verified author, BoTN-nominated writer, freelance journalist and a published poet