A nostalgic trip back in time
Karachi It was a nostalgic trip back in time, to the pre-independence days, 1940 to be precise, when the Fine Arts Department of the Punjab University was set up by a young newly-married Polish lady, Anna Molka Ahmed, who had just arrived from England with her husband. The slide presentation
By Anil Datta
January 16, 2015
Karachi
It was a nostalgic trip back in time, to the pre-independence days, 1940 to be precise, when the Fine Arts Department of the Punjab University was set up by a young newly-married Polish lady, Anna Molka Ahmed, who had just arrived from England with her husband.
The slide presentation of the works of various artists 1940 onwards, with comprehensive commentary by nationally noted artist Marjorie Husain, at the Canvas Gallery on Thursday evening made the entire function engrossing.
The occasion was the launch of two books: ‘Where have all the flowers gone’ by Zoay, and ‘A journey of resilience and success’ by a team of artists headed by Marjorie. Other members of the team are Barbara Schmidt, Nadeem Alam, Rahat Naveed and Masud.
Over 20 slides were screened, comprising art forms like realism, semi-impressionistic and surrealistic, but an overwhelming ones being landscapes.
They comprised the works of, among others, Nagori, Naela Ahmed, Aijaz Anwar and Anna Molka Ahmed.
The landscapes, apart from being pieces of art, were reminiscent of many other things. The Punjab landscapes were evocative of nostalgia, indeed.
There’s one by the late noted artist, Nagori, a Karachiite, of a lush green field and people in traditional dresses going about their farming with a tonga in the background.
It is this horse-drawn contraption that really makes the whole thing come alive as the tonga was once the most important ingredient of the Punjab landscape. It is reflective of our rich cultural heritage.
This is also reflective of Nagori’s devotion to his craft that he was so taken up by the characteristic of a locale that he did not belong to. He was from Karachi where tongas are virtually non-existent.
Then there’s the painting of a typical street scene in Lahore by Muhammad Arshad, with haphazardly parked rickshaws and congestion.
It was an ideal function for those belonging to Lahore. Sameera Raja, the curator of the Canvas Gallery, lauded Marjorie for her invaluable contribution to art in Pakistan and for depicting the life and culture of the country through her paintbrush.
It was a nostalgic trip back in time, to the pre-independence days, 1940 to be precise, when the Fine Arts Department of the Punjab University was set up by a young newly-married Polish lady, Anna Molka Ahmed, who had just arrived from England with her husband.
The slide presentation of the works of various artists 1940 onwards, with comprehensive commentary by nationally noted artist Marjorie Husain, at the Canvas Gallery on Thursday evening made the entire function engrossing.
The occasion was the launch of two books: ‘Where have all the flowers gone’ by Zoay, and ‘A journey of resilience and success’ by a team of artists headed by Marjorie. Other members of the team are Barbara Schmidt, Nadeem Alam, Rahat Naveed and Masud.
Over 20 slides were screened, comprising art forms like realism, semi-impressionistic and surrealistic, but an overwhelming ones being landscapes.
They comprised the works of, among others, Nagori, Naela Ahmed, Aijaz Anwar and Anna Molka Ahmed.
The landscapes, apart from being pieces of art, were reminiscent of many other things. The Punjab landscapes were evocative of nostalgia, indeed.
There’s one by the late noted artist, Nagori, a Karachiite, of a lush green field and people in traditional dresses going about their farming with a tonga in the background.
It is this horse-drawn contraption that really makes the whole thing come alive as the tonga was once the most important ingredient of the Punjab landscape. It is reflective of our rich cultural heritage.
This is also reflective of Nagori’s devotion to his craft that he was so taken up by the characteristic of a locale that he did not belong to. He was from Karachi where tongas are virtually non-existent.
Then there’s the painting of a typical street scene in Lahore by Muhammad Arshad, with haphazardly parked rickshaws and congestion.
It was an ideal function for those belonging to Lahore. Sameera Raja, the curator of the Canvas Gallery, lauded Marjorie for her invaluable contribution to art in Pakistan and for depicting the life and culture of the country through her paintbrush.
-
Jennifer Hudson Gets Candid About Kelly Clarkson Calling It Day From Her Show -
Shamed Andrew Was With Jeffrey Epstein Night Of Virginia Giuffre Assault -
Shamed Andrew’s Finances Predicted As King ‘will Not Leave Him Alone’ -
Bad Bunny Faces Major Rumour About Personal Life Ahead Of Super Bowl Performance -
Sarah Ferguson’s Links To Jeffrey Epstein Get More Entangled As Expert Talks Of A Testimony Call -
France Opens Probe Against Former Minister Lang After Epstein File Dump -
Last Part Of Lil Jon Statement On Son's Death Melts Hearts, Police Suggest Mental Health Issues -
Leonardo DiCaprio's Girlfriend Vittoria Ceretti Given 'greatest Honor Of Her Life' -
Beatrice, Eugenie’s Reaction Comes Out After Epstein Files Expose Their Personal Lives Even More -
Will Smith Couldn't Make This Dog Part Of His Family: Here's Why -
Kylie Jenner In Full Nesting Mode With Timothee Chalamet: ‘Pregnancy No Surprise Now’ -
Laura Dern Reflects On Being Rejected Due To Something She Can't Help -
HBO Axed Naomi Watts's 'Game Of Thrones' Sequel For This Reason -
King Charles' Sandringham Estate Gets 'public Safety Message' After Andrew Move -
Lewis Capaldi Sends Taylor Swift Sweet Message After 'Opalite' Video Role -
Brooklyn Beckham Plunges Victoria, David Beckham Into Marital Woes: ‘They’re Exhausted As It Seeps Into Marriage