art
Art is an essential part of human culture and has been used throughout history to express emotions, tell stories, and capture the beauty of the world around us. World Art Day, observed annually on April 15th, celebrates the diversity of art and the role it plays in our lives. In the colourful world of art around the globe, Pakistani artists bring their unique touch, blending their culture and their own special viewpoints into their work. Pakistani artists have made significant contributions to the global art scene, infusing their work with rich cultural heritage, unique perspectives, and innovative techniques. World Art Day highlights lively art scene all over the world, where talented artists display their skills across different forms like painting, sculpture, calligraphy, and photography.
One of the notable aspects of Pakistani art is its fusion of traditional techniques with contemporary themes. From the lively streets of Karachi to the colourful lanes of Lahore, Pakistani artists find inspiration in their country’s history, landscapes, traditions, and society.
Artists often navigate the complexities of identity, politics, and society, reflecting on issues such as gender, religion, and globalisation. Through their art, they offer insights into the multifaceted nature of Pakistani society, challenging stereotypes and promoting dialogue.
Moreover, the advent of social media and digital platforms has provided Pakistani artists with unprecedented opportunities to showcase their work to a global audience. Emerging talents are leveraging technology to amplify their voices, collaborate across borders, and engage with diverse communities.
As the world celebrates World Art Day, let us take a moment to acknowledge the beauty and diversity of Pakistani art, and the profound impact it continues to have on shaping our collective consciousness. Whether it’s through a vibrant painting, a thought-provoking sculpture, or a mesmerising piece of calligraphy, Pakistani artists remind us of the universal language of creativity and the potential of art to unite, inspire, and uplift us all. This week, You! shines a spotlight on Pakistani artists who have redefined the country’s art scene with their amazing work…
Renowned for her innovative approach to Indo-Persian miniature painting, Shahzia Sikander is a talented artist, who combines traditional miniature painting techniques with current themes and mediums, challenging notions of cultural identity and gender roles. She studied at the National College of Arts in Lahore before receiving her MFA from the Rhode Island School of Design.
Influenced by her upbringing in Pakistan and her experiences as an immigrant in the United States, her art often explores themes of hybridity and power dynamics.
One of her most distinguished works is ‘The Scroll’ (1989-1990), which features a continuous narrative exploring the complexities of cultural exchange. Additionally, her animations and installations have garnered international acclaim, blurring the lines between painting, video, and performance art.
She has received numerous awards and accolades, including a MacArthur Fellowship in 2006, making her one of the most celebrated contemporary artists of Pakistani origin. Her work has been exhibited in major museums worldwide, including the Whitney Museum of American Art, the Museum of Modern Art, and the Venice Biennale.
Daughter of the celebrated poet Faiz Ahmed Faiz, Salima Hashmi embodies a legacy of artistic brilliance, carving her own path as an artist, educator, and curator, deeply influencing Lahore’s vibrant cultural scene. Hashmi graduated from the Punjab University with a degree in Fine Arts and later earned a Master’s degree in English Literature.
Her art is characterised by its bold use of colour, expressive brushwork, and thematic exploration of social and political issues. Influenced by her father’s activism and her own experiences as a woman in Pakistan, her work often addresses topics such as gender equality, human rights, and socio-political change.
Hashmi’s oeuvre includes paintings, prints, and installations that serve as poignant reflections on the complexities of Pakistani society. Pieces like ‘Veils, Halos, and Shackles’ explore the plight of women in a patriarchal society, while her landscapes evoke a sense of nostalgia and longing for a vanishing way of life.
Beyond her artistic endeavours, Hashmi has made significant contributions to the cultural landscape of Pakistan as an educator and curator. She served as the principal of the National College of Arts in Lahore and curated numerous exhibitions showcasing Pakistani art both domestically and internationally.
Naiza Khan is a versatile artist acclaimed for her evocative sculptures, installations, and paintings, showcasing her talent through a diverse array of mediums that resonate deeply with audiences globally. She studied at the Ruskin School of Drawing and Fine Art at the University of Oxford before returning to Pakistan to pursue her artistic career.
Khan’s work is deeply influenced by her surroundings in Karachi, a city marked by rapid urbanisation, socio-economic disparity, and cultural diversity. Her art often explores themes of identity, displacement, and the impact of globalisation on local communities. Khan’s sculptures, made from found objects and industrial materials, reflect the juxtaposition of tradition and modernity in urban landscapes.
Her acclaimed series ‘Karachi Elegies’ delves into the changing urban fabric of Karachi, capturing the city’s contradictions and complexities. Through her sculptures and installations, she examines issues such as migration, gender dynamics, and environmental degradation, inviting viewers to contemplate the human experience within rapidly evolving urban environments.
Khan’s work has been exhibited extensively internationally, including at the Venice Biennale, the Asia Society in New York, and the British Museum. She has received numerous awards and honours for her contributions to art, solidifying her position as one of Pakistan’s leading female artists.
Emerging from the bustling streets of Karachi, Bani Abidi has established herself as a prominent figure in cutting-edge art, captivating audiences with her poignant multimedia installations and videos that explore themes of identity, politics, and cultural exchange. She completed her Bachelor’s degree in Fine Arts from the National College of Arts in Lahore and later pursued a Master’s degree in Visual Arts from the School of the Art Institute of Chicago.
Abidi’s work often employs humour and satire to address complex social issues, offering nuanced perspectives on life in Pakistan and beyond. She is particularly acclaimed for her use of video as a medium for storytelling, often incorporating elements of performance and documentary into her work.
One of her notable works is ‘The News’ (2001), a video installation that juxtaposes images of daily life in Karachi with the dramatic readings of news headlines by a news anchor. Through this piece, Abidi highlights the contrast between the mundane and the sensationalised narratives that dominate media discourse.
Her art has been exhibited internationally, including at the Venice Biennale, the Guggenheim Museum in New York, and the Documenta exhibition in Germany. She has received numerous awards and accolades for her contributions to art, and her work continues to reflect on the complexities of the world.
Embarking from the vibrant city of Faisalabad, Aisha Khalid is an artist recognised for her intricate miniature paintings and textile-based installations. She graduated from the National College of Arts in Lahore, where she specialised in miniature painting, a tradition deeply rooted in the cultural heritage of the region.
Her work reinterprets the traditional techniques of miniature painting, infusing them with sensibility and conceptual depth. Her art often explores themes of power, control, and surveillance, drawing inspiration from both historical narratives and social realities.
Her meticulous craftsmanship and attention to detail reflect her mastery of the miniature tradition while pushing its boundaries in new directions.
Khalid’s series ‘The Search’ and ‘Sedimentation’ are exemplary of her exploration of themes related to identity, memory, and the human condition. Through her use of richly patterned textiles and precise brushwork, she creates visually captivating compositions that invite viewers to contemplate the complexities of the world around them.
Khalid’s work has been exhibited internationally, with solo shows at prestigious venues such as the Museum of Contemporary Art in Sydney and the Asia Society Museum in New York. She has received critical acclaim for her contributions to modern-day art, earning accolades such as the Prince Claus Award and the Jameel Prize nomination.